Boswell
Books held a reading for Paul Salsini’s latest book, The Temptation of Father
Lorenzo, on November 19, 2012. The small audience mainly consisted of an
older generation of Salsini admirers and a few students. Salsini’s lineage
stems from a village in Florence, Italy and it was while visiting a relative in
a Tuscan village that interesting stories from World War II were shared with
him. It was these stories of amazing story of bravery of these villagers that
Salsini wanted explore in all of his Tuscan themed books. The Temptation of Father
Lorenzo is an extension of those revelations. The book became a series of
short stories that revolve around previously established characters from the Salsini’s
previous Tuscan Trilogy. Interestingly, Salsini wrote this book as a response
to the past trilogies character’s that called to him. He even joked that “I
couldn’t get them out of my head.” He often wondered what they were up to as if
the actually existed in the present day. In the end, it was interesting to hear
Salsini expound on the past lives of the Italian villagers during this period.
For
the first few minuets of Salsini’s introduction I was distracted. What took my
focus was his uncanny resemblance to the actor John Houseman. Once I got over
that detail I was able to focus on his opening announcements. Salsini’s voice
was an uninteresting monotone that was hard to connect to. Nevertheless, I
observed that he certainly takes great care of the relationships that he has
with his characters. Other than that positive aspect of his working method, his
reading didn’t intrigue me. I felt that his stories belonged to an older
generation. Superficially, I didn’t connect to his work because he didn’t
fascinate me with his style and his characters seemed bland. Now, one aspect to
his live performance that I quickly recognized was that there seems to be a
technique to reading that keeps people engaged. He doesn’t have that technique.
Certainly the man is gifted as a writer but not so much as a speaker. He’s not
very entertaining and maybe that’s not the point to a reading. But then again,
maybe it is? Needless to say, I won’t be reading any of his work any time soon.
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