During my time in special
collections I was introduced to different types of zines that interested me for
many reasons. But what I found most remarkable, physically, was the material
that they were built with. Mostly, it was the different types of paper the
zines were built on that defined my experience. The zines had differing paper
quality and thickness that was immediately observable. Sometimes, paper wasn’t
used at all within a zine. For example, I remember seeing an x-ray film used as
a cover for a zine. An X-ray film with an image is not easy to come by so it
takes some effort to procure such a material. It was wonderful to hold a piece
of medical technology used for another purpose than intended.
After seeing, hearing, and touching
the different types of paper/material used for zines, I’ve come to appreciate
the dedication and sense of artistry these creators have. I’ve never given much
consideration to how words and the paper they’re written on blend together to
form a meaning or sense of direction.
So, I’ve become aware of, and fascinated by, the potential for the
materials used in DIY culture.
The shape of the paper used in
certain zines was also very interesting to see. The overall size of the
material used created a sense of space and intimacy with the surrounding text,
which was another aspect of paper layout that I find compelling. Also, the
sound of some the paper was unusual at times. Some writers used material to change
the auditory experience by using wax paper, or envelopes, that created an
interesting sound. The use of sound even created a sense of softness to the
interaction between reader and zine. So, sound added another layer of
complexity to the experience of zine creation that I found appealing.
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